Blue Snow Cone LUT
My second favorite LUT - provides a cooler daylight look while still emphasizing and popping blues and reds in the image. Comes with 3 different exposures, and works best on footage shot at or around 5500K. Drag and drop with no rec. 709 conversion necessary. Adjust the saturation, tint, etc. to your liking or to suit each individual shot. Made for LOG footage only and works well across a variety of camera systems including the newest iPhone 15 LOG. I use this and my Lemonade Stand LUT on everything. Super, quick and easy for any type of footage.
My second favorite LUT - provides a cooler daylight look while still emphasizing and popping blues and reds in the image. Comes with 3 different exposures, and works best on footage shot at or around 5500K. Drag and drop with no rec. 709 conversion necessary. Adjust the saturation, tint, etc. to your liking or to suit each individual shot. Made for LOG footage only and works well across a variety of camera systems including the newest iPhone 15 LOG. I use this and my Lemonade Stand LUT on everything. Super, quick and easy for any type of footage.
My second favorite LUT - provides a cooler daylight look while still emphasizing and popping blues and reds in the image. Comes with 3 different exposures, and works best on footage shot at or around 5500K. Drag and drop with no rec. 709 conversion necessary. Adjust the saturation, tint, etc. to your liking or to suit each individual shot. Made for LOG footage only and works well across a variety of camera systems including the newest iPhone 15 LOG. I use this and my Lemonade Stand LUT on everything. Super, quick and easy for any type of footage.